Rick Bahtia

Rick Bahtia

It’s been nearly 8 years since Mochi last spoke with Japanese American actress Ally Maki. Since then, she’s made appearances on shows like “Workaholics” and “2 Broke Girls,” and this year made her Marvel debut on the Freeform series “Cloak & Dagger” as engineer Mina Hess.

When she first got the audition, the part was for an “Untitled Freeform Project.” Cue to a day or two after Maki secured the role — she’s flying into New Orleans and had in her possession encrypted scripts and Marvel database emails.

“It’s really really crazy. It’s my dream,” Maki says. “I don’t think that any of it is hitting me until this very moment, right now, as we’re talking.”

Maki emphasizes the importance of the friendship between her character and Tandy Bowen, played by Olivia Holt. In a world where bromances rule she finds it refreshing to see two women bond over science, rather than boys.

In fact, she’s felt more hopeful lately about the industry. The tide is turning in Hollywood for Asian Americans, and she cites both “Cloak & Dagger” and the TBS comedy “Wrecked” for contributing to this upward trend. When she auditioned for “Wrecked,” she saw there were women from all different backgrounds.

“There was not one girl that looked like another, and that was really exciting. And it was the same thing when I went in for “Cloak and Dagger” — every woman looked entirely different from the next and that’s when I knew things are changing,” Maki says.

“In the past it used to be ‘Asian only’ or ‘X only’; it was very specific,” she explains. “But now I think people are looking more for the real heart and soul of the character as opposed to just how they look outwardly.”

 Ryan West

Ryan West

Progress and dialogue come from social media too, in her opinion. Whether it’s the Twitter hashtag #StarringJohnCho that put Cho’s face on movie posters that had white actors, or Asian creators like herself connecting with “pockets of Asian American kids that resonated” with her videos, and she’s excited to see the Asian American community starting to come together.

“There’s so many people that are willing to share their stories and are sharing their stories so it feels like it’s a little army that’s being built. We’re not being quiet anymore,” Maki says.

Maki is passionate about sharing her grandmother Miyo’s story of being forced into the Japanese American internment camps during World War II. Before Miyo passed, Maki compiled an oral history of her life so that “what happened to the Japanese American people doesn’t happen again.”

“I feel this great responsibility to tell her story,” Maki says. “Not only my grandmother’s, but the Nisei stories of what happened during the war,” referring to lives of American children born to Japanese immigrants.

Her resilience comes from her grandmother, whom she calls “the greatest inspiration of my life.” Along with resilience and passion, responsibility is another reason she’s been able to keep going in such a competitive industry.

“I know what it was like to grow up and not have any representation and how damaging that was to my own self esteem,” Maki recalls. “It’s so deeply important to me that Asian girls — but also any girl  — feel that they belong somewhere, especially in the entertainment industry.”

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